Started with mysterious illness of mother, 4 kids and the husband try the best to cure their mother and Wife. And, SUddenly the mother died and buried in Islam way. And the Terror Begins. I think this is the best Horror ever made in Indonesia. Well Cinematograph, Well act, well the portion scene of each character, well Make up (Joko Anwar didn't do CGI Neither Green Screen), and Well Scoring. I Like the way Joko Scaring us by using The Ghost of Mother telling something to Toni in his bedroom. Satans-Slaves's home for videos and live streams on Dailymotion. Directed by Joko Anwar. With Bront Palarae, Tara Basro, Endy Arfian, Dimas Aditya. After dying from a strange illness that she suffered for 3 years, a mother returns. THATS THE BEST SCAREJUMP And Rini, as the leader of the family since their father had to go to find Money to city (This family is going to the well of poor), had to struggle to protect her brothers from her mother. Ian and Bondy is the most entertaining character in entire story. Their dialog gained sympathy from audience. Well Played after all, this is the best horror movie, with twist ending and mind-blowing. BEWARE OF IBU. After she comes down with a mysterious illness, a family trying to care for their mother is forced to move on when she finally passes away only to learn something deadly is now in the house with them and must find a way to stop a deadly occult ritual from coming to fruition. This here was quite the enjoyable if slightly flawed effort. ![]() One of the more engaging aspects of this one is the fact that there's a rather strong technical quality at the forefront of the film. Most of the scares present in the film come from the sterling cinematography, which sets this one off with some fine scenes here. The mundane task of caring for their mother in her room while allowing for effects like the constant bell she rings or the objects to flutter past the window to generate its scares where the ability to look at a different point in the distance rather than the on- screen being gives it a great feel. Others, like the dream of the raising from the bedroom to stare out the window only to realize the body is still in bed despite still in front of them or the later fulfillment sequence work incredibly well as does the scenes of the boys witnessing the spectral light out in the distance from the house so that the slow-unfurling drama of what's happening to them have a distinctive tone and feel to them. This also goes for traditional ghost hauntings as well, which are some of the most chilling sequences in the film. The first night after the funeral where the ghostly voices speak out to the son while he's looking through a toy is heart-stopping, while the boys coming up behind each other in the darkness offers some solid suspense set-pieces. This mixture of tactics between strong technically-accomplished scares and traditional jump-scares gives this a great balance and helps this tremendously.
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March 2018
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